NIGHT AFTER NIGHT A GHOST STORY, A CRIME NOVEL…
‘Phil Rickman isn’t unusual among crime writers for mingling supernatural elements with earthly crimes. What makes him different is his way of grounding his novels in the real world, and of bringing a wry sense of humour to his other-worldly themes. Night After Night is a wonderful example of his ability to pull off this fiendishly difficult combination.’
ANDREW TAYLOR, THE SPECTATOR.
NIGHT AFTER NIGHT. (CORVUS/ATLANTIC, paperback, hardback, ebook)
‘….engrossing and beautifully dark, combining personality disordered TV performers (like myself) and morally vacant journalists along with a collection of spiritual and spirited oddballs all residing in a Big Brother type situation and the inevitable clashes that result. Chuck in a house which may or may not be haunted but certainly has the bleakest of atmospheres and a cracking good read ensues. I found this too frightening to read in the house on my own,but then again I am a pathetic, snivelling, emotional wreck. Enjoy!’
Knap Hall, a Tudor house in the Northern Cotswolds, is the secret location for the new reality TV show, Big Other.
Is it haunted by its previous owner… or by the last wife of Henry VIII, Katherine Parr?
Grayle Underhill, researcher for HGTV, is assigned to investigate the history of the house… and of the seven celebrities who must spend a week there under the cold eyes of the TV cameras… night after night.
‘…the characters are really very vivid – so much so that it was hard not to picture real celebrities when reading.
A dark, creepy read perfect for the longer nights, and I was staying up far past midnight to finish it.’
Belas Knap, a Neolithic longbarrow is close to Knap Hall.
Not everyone finds it a comfortable place to be alone.
‘I can’t recommend Night After Night enough, a truly enjoyable, thought provoking thriller of a ride.’
Linda Roberts, Wales Express.
St Peter’s at nearby Winchcombe has, on its walls and tower, probably a larger collection of grotesque demonic carved faces than any church in England. Some are said to be medieval caricatures of real people. What were they for?
‘A stay-up-all-night page-turner that will have you riveted’
No-one better straddles the sometimes uncomfortable divide between crime and the supernatural than Phil Rickman, always leaving you wrong-footed about what to believe and not believe.’ CRIME REVIEW UK
The publishers wanted a stand-alone ghost story. Which it is. It totally stands alone, just like the earliest novels.
Except they didn’t, quite, did they? Characters from previous novels floated in, although it didn’t really matter if you hadn’t read those previous novels. I became a bit superstitious about this. There always had to be someone from an earlier novel, even if it was little more than a walk-on.
Anyway… Night After Night… I had the idea of a ghost story that would also be a crime story and also a novel about reality television.
Essentially, I wondered what Celebrity Big Brother would be like in a supposedly haunted house. Celebrity Big Brother compressed into a week and with celebs who had either an interest in the paranormal or a profound disdain for anything unscientific. Conflict is at the core of CBB, although this would have to be slightly more cerebral, looking to take psychic research a bit further… or maybe kick it into history.
So I started wondering which of those earlier characters might finish up in this house, and it wasn’t long before Cindy shimmered into a view, a memorable character from a couple of books I wrote under the name Will Kingdom. If you know about Cindy already, enough said. If you don’t… never mind. Although it isn’t that important. This novel really does stand alone.)
My own TV experience is limited to news, so I had a lot of help from Gavin Henderson, who’s devised and produced some Big Brother. Hadn’t realised how many working people would be around that haunted house… like over a hundred? Or how much the celebs could get paid for this (a lot) or how they were chosen… or how you made sure you didn’t wind up with serious chaos and a police raid.
It was big and complicated, and so it needed to be seen mainly through one pair of eyes. It looked like a job for Cindy’s friend, Grayle Underhill, American-born New Age journalist. Someone who knew how to handle slightly strange people.
For some reason, I felt it needed to be told in the present tense. I’d never done this before, not for a whole book. It was interesting. It puts you right there, in the house. It makes you examine things in a more intense way. Where am I? What can I see? What do I feel? What do some people feel that others don’t? Grayle’s never entirely sure.
If you’ve met Grayle before, you should know that she’s a few years older and she’s changed quite a lot. Become more British, more cynical, more objective. More interesting, I think.
Right, then… a ghost story and also a crime novel, both of which kind of creep up on you.
It’s about how people react to ghosts and how some people try to use them. The ghosts out there and the ghosts in your mind. How not everyone has the same experience – bit like my old website. It’s not a horror novel. Yeah, yeah, I know Amazon’s going to keep telling you it’s horror; Amazon computers don’t deal in subtleties, don’t easily handle – here comes one of my favourite words – periphery.
I’ll leave you with Marcus Bacton’s view. Marcus is a grumpy old sod and no friend of Richard Dawkins.
‘Ghosts,’ Marcus says, ‘exist as momentary reminders. Accept them. Don’t challenge them, never try to befriend them. Don’t run towards them waving your crucifix… back away. I’ve heard sceptics and atheists say “I don’t believe in ghosts but I’m afraid of them.” Well exactly. Trust terror… little else is safe.’
Is he right? Dunno, really.
flashing images by BJ Craven